hollywood

| <a href="http://web.media.mit.edu/~wex/">Alan Wexelblat</a> in <a href="http://copyfight.corante.com/archives/2006/03/15/what_right_in_digital_actors.php">Copyfight poses a question</a> from a reader about the future of entertainment: <blockquote>what rights do you purchase/license/contract for in creating such a reproduction of a real person? Rights to the “likeness?” Performance rights? Do either of these cover things the actor never physically did or said? Is there an exclusivity clause? There are clearly some issues around the ownership of a character, if that character has appeared before (e.g. Connery's Bond) but usually the character rights reside with the studio. But if you want the Connery Bond instead of a generic James Bond you also have to incude Connery in the deal, as well as whatever studio or estate has the Bond character rights.</blockquote> » about 300 words

This, from Chris Anderson: The Codex is a 20 episode series of machinimas made on Xboxes running Halo 2. The result caught the attention of his six- and eight-year-old children, and then him. Machinimas are computer animated in real-time, using video games to create the environment, and human “puppeteers” to drive the action. The action […] » about 200 words

Donna Wentworth is now saying what I’ve been saying for over a year now. Digital Rights Management (DRM) isn’t about preventing copyright violations by ne’er-do-wells, it’s about eliminating legal me2me fair use and locking in customers. In Your PC == A Toaster, Wentworth quotes Don Marti saying: Isn’t it time to drop the polite fiction […] » about 300 words

Donna Wentworth, over at Copyfight pointed out a JD Lasica piece detailing the responses from seven studios to his requests to use short (10-30 seconds) clips of their films in a non-commercial project he was working on with his child. …four of the studios refused outright, two refused to respond, and the seventh wobbled. This […] » about 300 words