Netflix

Criticism of Modern Movies

We’ve all heard it before, but we just can’t get it out of our heads. Today’s movies make us feel dumb. Paulina Borsook joins the chorus and condemns contemporary cinema by praising movies of the 60s and 70s:

They were movies made for adults, even if they had been mainstream movies and/or nominally rated PG. They made presumptions about the intelligence of their audience, didn’t need things to be boldly spelled out, and they were predicated on the assumption that their audience was capable of making inferences. No semaphoring! No high-concept! Satire as opposed to scatology! Shades of gray in motive and character! Minimum numbers of car crashes! No fish out of water! No hilarious mixups!

Interestingly, she also found praise for The Interpreter:

The female characters didn’t simper, and didn’t seem like 30 going on 13 (hey, wasn’t there…). They were about themselves, subject rather than object.

The male characters had interior lives that made them seem human, creatures capable of emotional nuance.

So what else does she recommend? She’s made a list. Interestingly, all of this appears at GreenCine.com, a Netflix competitor I’d not heard of before it got a recommendation at O’Grady’s PowerPage.

Peerflix

Ross Rubin at Engadget just alerted me to Peerflix

…which can be described on a basic level as eBay meets Netflix. Peerflix resembles many online DVD stores, but it neither rents nor sells DVDs. Rather, it depends on a community of users willing to trade DVDs they have for DVDs they want. There are no subscription fees. Peerflix charges a 99-cent transaction fee and senders are responsible for the postage charge of 37 cents for the mailers that the company distributes. Behold the $1.36 DVD.

Bad Movie, Verboten Subject?

I’m embarrassed to be in the middle of Fantasy Mission Force, a kung fu movie that demonstrates a brand of Asian humor that I haven’t yet learned to appreciate. I’m watching it because I’m a sucker for Jackie Chan flicks and Netflix makes it too easy to queue up bad movies. David Chute wrote the […] » about 400 words