films

Criticism of Modern Movies

We’ve all heard it before, but we just can’t get it out of our heads. Today’s movies make us feel dumb. Paulina Borsook joins the chorus and condemns contemporary cinema by praising movies of the 60s and 70s:

They were movies made for adults, even if they had been mainstream movies and/or nominally rated PG. They made presumptions about the intelligence of their audience, didn’t need things to be boldly spelled out, and they were predicated on the assumption that their audience was capable of making inferences. No semaphoring! No high-concept! Satire as opposed to scatology! Shades of gray in motive and character! Minimum numbers of car crashes! No fish out of water! No hilarious mixups!

Interestingly, she also found praise for The Interpreter:

The female characters didn’t simper, and didn’t seem like 30 going on 13 (hey, wasn’t there…). They were about themselves, subject rather than object.

The male characters had interior lives that made them seem human, creatures capable of emotional nuance.

So what else does she recommend? She’s made a list. Interestingly, all of this appears at GreenCine.com, a Netflix competitor I’d not heard of before it got a recommendation at O’Grady’s PowerPage.

Movie Night: Open Water

Joe recommended Open Water whole heartedly, but others, like some of these one-star reviewers at Amazon, had equally strong reactions against it. I first learned of the events the movie is based on in Bill Bryson’s In a Sunburned Country, where he described the events of Thomas and Eileen Lonergan’s disappearance during a dive in […] » about 200 words