Documentarians spend most of their time digging up materials that few people know exist. They frequent basements and dark storage rooms, endure conversations with crazy collectors, and typically develop vitamin-d deficiency and light sensitivity in search of what they need. Their reward for finding the material? A bill from the original creators (the ones who […]
YouTomb continually monitors the most popular videos on YouTube for copyright-related takedowns. Any information available in the metadata is retained, including who issued the complaint and how long the video was up before takedown. The goal of the project is to identify how YouTube recognizes potential copyright violations as well as to aggregate mistakes made […]
From The Chronicle: Copyright law, a constant thorn in the sides of scholars and researchers, is generating a lot of public discussion this week, thanks in part to a new 10-minute video that parodies the law. “A Fair(y) Use Tale” has been downloaded from YouTube about 145,000 times since it was posted online Friday. The […]
I wrote to C|Net, owner of TechRepublic and Builder.com, asking if I could quote their Ten Commandments of Egoless Programming in an issue of Library Technology Reports journal on open source software for libraries and got the following canned response: Thank you for your interest in including CNET content on your website. [...] There would […]
In response, somebody’s created I Hate DRM, “a site dedicated to reclaiming consumer digital rights.”
And on the content creator’s side: Creative Remixes For The People.
what rights do you purchase/license/contract for in creating such a reproduction of a real person? Rights to the “likeness?” Performance rights? Do either of these cover things the actor never physically did or said? Is there an exclusivity clause? There are clearly some issues around the ownership of a character, if that character has appeared before (e.g. Connery’s Bond) but usually the character rights reside with the studio. But if you want the Connery Bond instead of a generic James Bond you also have to incude Connery in the deal, as well as whatever studio or estate has the Bond character rights.
Back when I was looking things up for my Digital Preservation and Copyright story I found a bunch of info the University of Texas System had gathered on issues related to copyright, libraries, and education. In among the pages on copying copyrighted works, A/V reserves, and electronic reserves I found a document titled: Educational Fair […]
Donna Wentworth is now saying what I’ve been saying for over a year now. Digital Rights Management (DRM) isn’t about preventing copyright violations by ne’er-do-wells, it’s about eliminating legal me2me fair use and locking in customers. In Your PC == A Toaster, Wentworth quotes Don Marti saying: Isn’t it time to drop the polite fiction […]
We’re struggling with the question of what to do with our collection of vinyl recordings. They’re deteriorating, and we’re finding it increasingly difficult to keep the playback equipment in working order — the record needles seem to disappear. We’re re-purchased much of our collection on CD, but some items — this one might be one […]
The news came out last week that the biggest music consumers — the ones throwing down cash for music — are also the biggest music sharers. Alan Wexblat at Copyfight says simply: “those who share, care” (BBC link via TeleRead). Rather than taking legal action against downloaders, the music industry needs to entice them to […]
Donna Wentworth, over at Copyfight pointed out a JD Lasica piece detailing the responses from seven studios to his requests to use short (10-30 seconds) clips of their films in a non-commercial project he was working on with his child. …four of the studios refused outright, two refused to respond, and the seventh wobbled. This […]