MaisonBisson.com » remix

Sitting In Sin

Casey Bisson — Thu, 22 Jan 2009 18:21:51 +0000

Thomas Von Staffeldt’s remix of Arne Jacobsen’s “chair no. 7”. Above are gluttony, pride, and lust. They’re all on auction, but does that suggest avarice?

Remix Remix Remix: The Tracey Fragments

Casey Bisson — Tue, 20 Nov 2007 10:14:01 +0000

I guess the criticism is that it’s one thing for somebody to open up their music for remixing, but an entirely different thing to do the same with a movie. Or is it? Is it (click re-fragmented)?

Mushaboom Remix

Casey Bisson — Sat, 11 Nov 2006 02:28:30 +0000

Props to Tim for offering linking me to a remix of Feist’s Mushaboom. I like the original better, but, well, I’m also a fan of remixes.

feist, free, mp3, mushaboom, music, remix

Top Gun: A Requiem For Goose

Casey Bisson — Fri, 08 Sep 2006 16:26:53 +0000

TeamTigerAwesome’s Top Gun: A Requiem For Goose is more than funny, it’s the sort of thing a person should mine for insults and one-liners to use later. Of course, the recent Tom Cruise flap doesn’t dampen it any.

From the title cards:

On March 3, 1919 President Harding established the swingenest, scientologist, dew drop of a flight school in all 38.

Now, you boys may think that you are the high-hattenest group of flyboys ever to shoot down a Mrs. Grundy.

I’m gonna make you better.

So I ask of you?

Who among you wish to fornicate with immortality?

I dare say, me and my favorite Irishman, Goose, are the Real McCoy.

See that Sock Dollager over there?

The skirts call him Iced-Man.

She has misplaced feelings of love.

I despise it when she has misplaced feelings of love.

That Jester didn’t have a flapper’s chance against us Protestants!

I dare say you, you could call me Grover Cleveland…For I just orgazimized, on non-consecutive terms.

You’re still a splifficated, piker as I ever saw. But you can be my wing man anytime.

Applesauce. You can be mine.

Grover Cleveland, TeamTigerAwsome, Tom Cruise, Top Gun, funny, high-hattenest, mashup, misplaced feelings of love, movie, piker, remix, sock dollager, splifficated, swingenest

WPopac Gets Googled

Casey Bisson — Thu, 04 May 2006 15:50:00 +0000

A discussion on Web4Lib last month raised the issue of Google indexing our library catalogs. My answer spoke of the huge number of searches being done in search engines every day and the way that people increasingly expect that anything worth finding can be found in Google.

There were doubts about the effectiveness of such plans, and concerns about how frustrating it might be for a searcher in California to find books (that he or she can’t access) in New Hampshire.

My answer to the first point was that once we start participating in the Google Economy, we’ll find our records well represented within it, and my answer to the second point is that we already have good solutions to that problem: ILL and OpenWorldCat. Examples: a Google search for my favorite author/friend/example returns with WPopac among the top results. And if you view one of the resulting records, you’ll see a link to “find in WorldCat Libraries.”

Thing is, it’s not just the stuff I’ve been linking to as examples that’s getting found in search engines. Listed below are the top 100 incoming search terms to WPopac from major search engines in the last week. The list is generated by bsuite, my multipurpose WordPress plugin, and the links lead to the item found with the search terms.

Some links will leave you scratching your head, others are clearly misdirected. But, I’m especially proud of this link, from a person who was especially happy to get a new book. Making our collections indexable also makes them linkable, and that means people can make libraries part of their lives — wherever their lives take them.

And this doesn’t just help Angie, it means faculty and students can link to library resources from class blogs or share them in AIM.

google economy, google in the catalog, lib20, libraries, library, library 20, library catalog, linking, links, loosely linked, opac, remix, search engines, wpopac

Queen Mashups Are All The Rage

Casey Bisson — Wed, 07 Dec 2005 17:15:02 +0000

Michael Sauers pointed out Q-Unit, a mashup of Queen and 50 Cent. They’re sure to have Disney (the rights owner for Queen’s catalog) on their back soon. At least, it didn’t take Disney long to shut down The Kleptones, whose “A Night At The Hip-Hopera” has a spot on my iPod.

And that’s where the story comes around, are we at the point where we can say Queen’s music has taken on the status of a modern fairy tale? And are these artists — The Kleptones and Q-Unit — the new Disneys, remaking old tales for new times?

disney, queen, mashup, copyfight, copyright, copyright law, q-unit, music, rock, rap, hip hop, remix, remake

The Failures Of Permission Culture

Casey Bisson — Thu, 21 Jul 2005 11:12:39 +0000

Donna Wentworth, over at Copyfight pointed out a JD Lasica piece detailing the responses from seven studios to his requests to use short (10-30 seconds) clips of their films in a non-commercial project he was working on with his child.

…four of the studios refused outright, two refused to respond, and the seventh wobbled.

This is the quandary millions of us face today: The Hollywood studios demand that we ask for permission to borrow from their works — and then they deny our requests as a matter of course.

One studio acknowledged the the “worthwhile intentions” of the project and seemed to understand that it would be shown only to family and friends (not on the internet), but refused as a matter of policy:

we have had to establish a general policy of non-cooperation with requests of this nature.

There’s nothing new in this, of course. Writer Chris Turner had to pay over $4 a word to quote a few lines from some Radiohead songs in his book about The Simpsons. Hip hop, once emblematic of “remix culture,” one example of voices and venues squashed (here’s what happens when artists try that today).

Anyway, Wendy Seltzer tells me it’s the EFF’s 15th birthday and they’re doing a blog-a-thon. This isn’t really about why I joined the “fight for my right to fair use and a vibrant public domain,” but it says a lot about why I’m still in it.

Related: The People Who Owned The Bible and Orphaned Works — when you can’t even find the people to ask for permission.

tags: copyfight, copyright, darknet, denied, deny, eff, eff15, hollywood, hollywood studios, home video, orphaned works, permission, permission culture, refuse, refused, remix, remix culture, studio, video clips