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<channel>
	<title>MaisonBisson.com &#187; history</title>
	<atom:link href="http://maisonbisson.com/blog/post/tag/history/feed/" rel="self" type="application/rss+xml" />
	<link>http://maisonbisson.com</link>
	<description>A bunch of stuff I would have emailed you about.</description>
	<lastBuildDate>Sat, 14 Nov 2009 20:14:03 +0000</lastBuildDate>
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			<item>
		<title>Now I Want To Watch (or re-watch) All These</title>
		<link>http://maisonbisson.com/blog/post/14047/now-i-want-to-watch-or-re-watch-all-these/</link>
		<comments>http://maisonbisson.com/blog/post/14047/now-i-want-to-watch-or-re-watch-all-these/#comments</comments>
		<pubDate>Sun, 06 Sep 2009 18:08:11 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Books, Movies, Music]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[special effects]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/?p=14047</guid>
		<description><![CDATA[
Okay, I don&#8217;t want to watch all the movies depicted in this 100 year overview of film special effects, but I did just add a few to my Netflix queue.
The full list, according to the description in YouTube:

1900 &#8211; The Enchanted Drawing
1903 &#8211; The Great Train Robbery
1923 &#8211; The Ten Commandments (Silent)
1927 &#8211; Sunrise
1933 &#8211; [...]]]></description>
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<a href="http://maisonbisson.com/blog/post/14047/now-i-want-to-watch-or-re-watch-all-these/"><p><em>Click here to view the embedded video.</em></p></a>
<p>Okay, I don&#8217;t want to watch all the movies depicted in this 100 year overview of film special effects, but I did just add a few to my Netflix queue.</p>
<p><span id="more-14047"></span>The full list, according to the description in YouTube:</p>
<ul>
<li>1900 &#8211; The Enchanted Drawing</li>
<li>1903 &#8211; The Great Train Robbery</li>
<li>1923 &#8211; The Ten Commandments (Silent)</li>
<li>1927 &#8211; Sunrise</li>
<li>1933 &#8211; King Kong</li>
<li>1939 &#8211; The Wizard of Oz</li>
<li>1940 &#8211; The Thief of Bagdad</li>
<li>1954 &#8211; 20,000 Leagues Under the Sea</li>
<li>1956 &#8211; Forbidden Planet</li>
<li>1963 &#8211; Jason and the Argonauts</li>
<li>1964 &#8211; Mary Poppins</li>
<li>1977 &#8211; Star Wars</li>
<li>1982 &#8211; Tron</li>
<li>1985 &#8211; Back to the Future</li>
<li>1988 &#8211; Who Framed Roger Rabbit</li>
<li>1989 &#8211; The Abyss</li>
<li>1991 &#8211; Terminator 2: Judgement Day</li>
<li>1992 &#8211; The Young Indiana Jones Chronicles</li>
<li>1993 &#8211; Jurassic Park</li>
<li>2004 &#8211; Spider-Man 2</li>
<li>2005 &#8211; King Kong</li>
<li>2006 &#8211; Pirates of the Caribbean: Dead Man&#8217;s Chest</li>
<li>2007 &#8211; Pirates of the Caribbean: At World&#8217;s End</li>
<li>2007 &#8211; The Golden Compass</li>
<li>2008 &#8211; The Spiderwick Chronicles</li>
<li>2008 &#8211; The Curious Case of Benjamin Button</li>
</ul>
]]></content:encoded>
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		</item>
		<item>
		<title>What Is An Archive In The Digital Age?</title>
		<link>http://maisonbisson.com/blog/post/13870/what-is-an-archive-in-the-digital-age/</link>
		<comments>http://maisonbisson.com/blog/post/13870/what-is-an-archive-in-the-digital-age/#comments</comments>
		<pubDate>Mon, 04 May 2009 16:41:08 +0000</pubDate>
		<dc:creator>Casey</dc:creator>
				<category><![CDATA[Dispatches]]></category>
		<category><![CDATA[archive]]></category>
		<category><![CDATA[historical archive]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[libraries]]></category>
		<category><![CDATA[newspaper]]></category>
		<category><![CDATA[paperofrecord.com]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/?p=13870</guid>
		<description><![CDATA[
Jessamyn pointed out the dust up over the dissapearing of PaperOfRecord.com, a historical newspaper archive.
]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-13870"><!-- &nbsp; --></abbr>
<p><a title="librarian.net » Blog Archive » finger pointing when digital archives disappear" href="http://www.librarian.net/stax/2790/finger-pointing-when-digital-archives-disappear/">Jessamyn pointed out</a> the <a title="News: Digital Archives That Disappear - Inside Higher Ed" href="http://www.insidehighered.com/news/2009/04/22/record">dust up</a> over the dissapearing of <a href="http://paperofrecord.com/">PaperOfRecord.com</a>, a historical newspaper archive.</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>OLPC Origins: US and Taiwan&#8217;s Hardware Lovechild</title>
		<link>http://maisonbisson.com/blog/post/12351/olpc-origins-us-and-taiwans-hardware-lovechild/</link>
		<comments>http://maisonbisson.com/blog/post/12351/olpc-origins-us-and-taiwans-hardware-lovechild/#comments</comments>
		<pubDate>Wed, 27 Aug 2008 13:18:48 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Blink]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[laptops]]></category>
		<category><![CDATA[low-cost]]></category>
		<category><![CDATA[olpc]]></category>
		<category><![CDATA[ultraportable]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/12351/olpc-origins-us-and-taiwans-hardware-lovechild/</guid>
		<description><![CDATA[

OLPC Origins: US and Taiwan&#8217;s Hardware Lovechild
A deeper than expected history of the OLPC&#8217;s development. Part two of a three part series.
]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-12351"><!-- &nbsp; --></abbr>
<p><img src="http://gizmodo.com/assets/images/gizmodo/2008/08/OLPC_Evolution.jpg" alt="" /><br />
<a href="http://gizmodo.com/5042466/olpc-origins-us-and-taiwans-hardware-lovechild">OLPC Origins: US and Taiwan&#8217;s Hardware Lovechild</a><br />
A deeper than expected history of the OLPC&#8217;s development. Part two of a three part series.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Flickr Adds Video</title>
		<link>http://maisonbisson.com/blog/post/12120/flickr-adds-video/</link>
		<comments>http://maisonbisson.com/blog/post/12120/flickr-adds-video/#comments</comments>
		<pubDate>Mon, 14 Apr 2008 13:22:55 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Dispatches]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[four years later]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/?p=12120</guid>
		<description><![CDATA[
I asked for it in 2004, before YouTube, Vimeo, Viddler, or Revver appeared on the scene, and before MySpace and Facebook added video sharing as a feature. Four years later they finally added it. Neil Rickards should get credit for creating the theme of “long photos” (Neil called them “moving photos”). And anybody who was [...]]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-12120"><!-- &nbsp; --></abbr>
<p><a href="http://www.flickr.com/groups/flickrideas/discuss/72157600044150730/" title="Flickr: Discussing Video? in Flickr Ideas">I asked for it in 2004</a>, before YouTube, Vimeo, Viddler, or Revver appeared on the scene, and before MySpace and Facebook added video sharing as a feature. Four years later they <a href="http://blog.flickr.net/en/2008/04/09/video-on-flickr-2/" title="Video on Flickr! « Flickr Blog">finally added it</a>. <a href="http://www.flickr.com/groups/flickrideas/discuss/72157600044150730/72157600044150814/">Neil Rickards should get credit</a> for creating the theme of “long photos” (Neil called them “moving photos”). And anybody who was <a href="http://www.flickr.com/groups/flickrideas/discuss/72157600044150730/72157600044150798/">around then</a> <a href="http://www.flickr.com/groups/flickrideas/discuss/72157600044150730/72157600044150824/">isn&#8217;t the least surprised</a> at <a href="http://www.flickr.com/groups/675051@N25/discuss/72157604453503905/">how angry</a> <a href="http://flickr.com/groups/no_video_on_flickr/pool/">some are</a> now about the new feature (<a href="http://flickr.com/photos/diamondjoe/2406708427/in/pool-changeresistance">see sarcastic response to that</a>).<br />
<span id="more-12120"></span><br />
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]]></content:encoded>
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		<item>
		<title>Remember The Good Old Days?</title>
		<link>http://maisonbisson.com/blog/post/11977/remember-the-good-old-days/</link>
		<comments>http://maisonbisson.com/blog/post/11977/remember-the-good-old-days/#comments</comments>
		<pubDate>Thu, 15 Nov 2007 16:30:43 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Libraries & Networked Information]]></category>
		<category><![CDATA[dialog information service]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[interactive database]]></category>
		<category><![CDATA[libraries]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[phrack]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11977/remember-the-good-old-days</guid>
		<description><![CDATA[

The first article database I remember using was Dialog, sometime in the late 80s or early 90s. Today I found myself amused that we used to call such things “interactive.” That is, you poked the command line interface with questions and it usually beeped a syntax error, all while they charge $4 per minute, plus [...]]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-11977"><!-- &nbsp; --></abbr>
<p><img src="http://www.internective.com/images/portfolio/Dialog.jpg" width="487" height="296" alt="Dialog screen" /></p>
<p>The first article database I remember using was Dialog, sometime in the late 80s or early 90s. Today I found myself amused that we used to call such things “interactive.” That is, you poked the command line interface with questions and it usually beeped a syntax error, all while they charge $4 per minute, plus the connection fees. (The image above is from a <a href="http://www.internective.com/frm_panel_main_creative.html#dialog">later CD-ROM version</a>.)</p>
<p>A <a href="http://www.phrack.org/issues.html?issue=44&#038;id=18#article" title=".:: Phrack Magazine ::.">1993 article in Phrack</a> reminded me of some of the details and fun of such systems:</p>
<blockquote><p>One of the research databases commonly used is the Dialog Information Service.  Dialog is a subsidiary of Lockheed Missile and Space Corporation.  It provides access to more than three hundred databases containing over one hundred million records.  The significance of this service is that it joins all 300+ databases together, you can skip from one database to another simply by “beginning” the database.  In the past, the user would have to individually call each database and pay an exorbitant charge to use it.  Dialog eliminates this and keeps all the databases together.  Because of the vastness, all sources are summarized with keyword searches.  Dialog has substantial signup charges ($295. last time I asked them) in addition to the fact that each individual database charges an hourly rate.  Each rate varies according to things like the relative importance of the topic, cost to put the information online, and the main determining factor: what they think the users will pay. Some database providers seem to defy any logical reasoning as to how they determined the cost to access their information.</p></blockquote>
<p>Yeah, I used to walk up hill to school in a snowstorm too. More interesting is this picture of libraries and librarians of the day:</p>
<blockquote><p>If you travel to your local university library you will notice computer databases to which you can access such things as doctoral dissertations (get brownie points by telling your professor how interesting his/her thesis was), medical research (look up that newly acquired disease that your doctor mumbled that you now have), even national newspaper articles. This is just another source of information at your disposal (aside from books that is).  Popping up more and more in libraries are “fee based research services”.  These are simply professional librarians who use research databases to retrieve the information you are too ignorant or stupid (or don&#8217;t have enough time) to retrieve yourself. Fees range from their cost only (ie, online charges) to upwards of $100. per hour of their time spent PLUS any online charges.</p>
<p>As you can probably deduce, it would be cost effective to use every possible free source of information before turning to online searchers.  I recommend exhausting all the in-library databases before going online simply because the in-library databases are usually available on CD-ROM and you are not charged an hourly rate to use it. And don&#8217;t forget about all those free Internet FTP sites, Gopher, WAIS, WWW, and even usenet!  Most librarians are just starting to pay attention to and make use of the Internet. However once you have read this article you will be well versed on one of the major databases that is being used by these research services.  If you run into an online database in your library, I suggest that you know what you are doing, as librarians are very skeptical due to the fact that you are using their money to do your searching.</p></blockquote>
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		<item>
		<title>20th Century Information Architecture</title>
		<link>http://maisonbisson.com/blog/post/11845/20th-century-information-architecture/</link>
		<comments>http://maisonbisson.com/blog/post/11845/20th-century-information-architecture/#comments</comments>
		<pubDate>Thu, 21 Jun 2007 14:12:57 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Libraries & Networked Information]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[19th century]]></category>
		<category><![CDATA[20th century]]></category>
		<category><![CDATA[Andrew Carnegie]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Carnegie libraries]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[information architecture]]></category>
		<category><![CDATA[libraries]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11845/#20th-century-information-architecture</guid>
		<description><![CDATA[
One hundred years ago the country was in the middle of a riot of library construction. Andrew Carnegie&#8217;s name is nearly synonymous with the period, largely due to his funding for over 1,500 libraries between 1883 and 1929, but architectural historian Abigail Van Slyck notes that the late 19th century was marked by widespread interest [...]]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-11845"><!-- &nbsp; --></abbr>
<p>One hundred years ago the country was in the middle of a riot of library construction. <a href="http://en.wikipedia.org/wiki/Andrew_Carnegie">Andrew Carnegie</a>&#8217;s name is nearly synonymous with the period, largely due to his <a href="http://en.wikipedia.org/wiki/Carnegie_library">funding for over 1,500 libraries between 1883 and 1929</a>, but architectural historian <a href="http://www.conncoll.edu/academics/web_profiles/aavan.html">Abigail Van Slyck</a> <a href="http://links.jstor.org/sici?sici=0037-9808(199112)50%3A4%3C359%3A%22UAOE%5B%3E2.0.CO%3B2-K" title="JSTOR: The Journal of the Society of Architectural Historians: Vol. 50, No. 4 (Dec., 1991), pp. 359-383">notes</a> that the late 19th century was marked by widespread interest in community development, with broad recognition of libraries as a means of promoting individual development.</p>
<p>“For library patrons, male and female, young and old, the new library offered a pleasant surprise.” Libraries became recognizable landmarks, and recognizably <em>public</em>. “Readers could enter freely, safe in the knowledge that they were welcome.”</p>
<p>And inside the library the barriers were coming down. Where once a user needed to request materials from the librarian, open stacks became increasingly common with libraries constructed near the turn of the century. Historian Walter Langsam <a href="http://www.cincypost.com/news/1999/carn101199.html" title="carn101199">praised the development this way</a>:</p>
<blockquote><p>The Carnegie libraries were important because they had open stacks which encouraged people to browse. The open stacks were more democratic. People could choose for themselves what books they wanted to read. The libraries were meant to be for people of all walks of life.</p></blockquote>
<p>(Van Slyck notes that Carnegie insistence on open stacks developed after the turn of the century.)</p>
<p>And while the widespread construction of libraries may have begun as “gifts of men grown wealthy during the [Civil] war,” they soon became valued institutions of the people.</p>
<p><tags>libraries, information architecture, history, architecture, Carnegie libraries, Andrew Carnegie, 20th century, 19th century</tags></p>
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		<item>
		<title>Apple&#8217;s iTV &#8212; From 1995!</title>
		<link>http://maisonbisson.com/blog/post/11451/apples-itv-from-1995/</link>
		<comments>http://maisonbisson.com/blog/post/11451/apples-itv-from-1995/#comments</comments>
		<pubDate>Tue, 12 Sep 2006 21:06:50 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Technology]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[Apple Computer]]></category>
		<category><![CDATA[Apple iTV]]></category>
		<category><![CDATA[apple media player]]></category>
		<category><![CDATA[front row]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[interactive television]]></category>
		<category><![CDATA[iTV]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11451/</guid>
		<description><![CDATA[

The original Apple press release is gone (and gone from the Wayback Machine too), but back in 1995 Apple announced a different set-top box, also called the iTV, for a six-state trial of interactive television services.
Apple&#8217;s ITV system incorporates key technologies including a subset of the MacOS, QuickDraw and QuickTime. In addition, it includes an [...]]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-11451"><!-- &nbsp; --></abbr>
<p><a href="http://www.flickr.com/photos/maisonbisson/241817354/" title="Photo Sharing"><img src="http://static.flickr.com/95/241817354_b675753af5.jpg" width="446" height="492" alt="Apple iTV 1995" /></a></p>
<p>The original <a href="http://www.info.apple.com/pr/press.releases/1995/q3/950508.pr.rel.itv.html&#038;t=1158037299">Apple press release</a> is gone (and gone from the <a href="http://www.archive.org/web/web.php">Wayback Machine</a> too), but back in 1995 Apple announced a different set-top box, also called the <a href="http://www.flickr.com/photos/maisonbisson/241817371/">iTV</a>, for a six-state trial of interactive television services.</p>
<blockquote><p>Apple&#8217;s ITV system incorporates key technologies including a subset of the MacOS, QuickDraw and QuickTime. In addition, it includes an MPEG1 decoder and supports PAL and NTSC video formats as well as E1 and T1 telephone protocols.</p></blockquote>
<p>The device was one of a number <a href="http://www.flickr.com/photos/maisonbisson/tags/applecomputer/" title="Flickr: misterbisson's photos tagged with applecomputer">similar Apple media players</a> (real or imagined). A page at <a href="http://www.theapplecollection.com/design/macdesign/MacintoshTV.html" title="Apple Prototype">The Apple Collection</a> rounds up most of those past efforts. Of course, today Steve Jobs <a href="http://www.gizmodo.com/gadgets/apple/apple-itv-wirelessly-stream-content-to-your-tv-200138.php">announced</a> and <a href="http://www.flickr.com/photos/maisonbisson/241826942/">showed off</a> the <a href="http://www.macworld.com/news/2006/09/12/itv/index.php">real iTV</a>, a $299 goody that brings <a href="http://www.apple.com/imac/frontrow.html">Front Row</a> from the computer room to living room.</p>
<p><tags>Apple, Apple Computer, Apple iTV, apple media player, front row, history, interactive television, iTV</tags></p>
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		</item>
		<item>
		<title>Inclusion or Exclusion By Language</title>
		<link>http://maisonbisson.com/blog/post/11366/inclusion-or-exclusion-by-language/</link>
		<comments>http://maisonbisson.com/blog/post/11366/inclusion-or-exclusion-by-language/#comments</comments>
		<pubDate>Fri, 07 Jul 2006 04:39:39 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Libraries & Networked Information]]></category>
		<category><![CDATA[Politics & Controversy]]></category>
		<category><![CDATA[exclusion]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[inclusion]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[medieval]]></category>
		<category><![CDATA[pedantic]]></category>
		<category><![CDATA[pedantic purism]]></category>
		<category><![CDATA[purism]]></category>
		<category><![CDATA[Wilfred Bisson]]></category>
		<category><![CDATA[Wilfred J. Bisson]]></category>
		<category><![CDATA[world history]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11366/</guid>
		<description><![CDATA[
&#8230;The time for pedantic purism is past; if we wish to communicate with the larger audience, we must use language they understand. We do not have the luxury of defining our words, their definitions are thrust upon us by usage.
I was struck by how much that sounds like something I might have said about libraries [...]]]></description>
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<blockquote><p>&#8230;The time for pedantic purism is past; if we wish to communicate with the larger audience, we must use language they understand. We do not have the luxury of defining our words, their definitions are thrust upon us by usage.</p></blockquote>
<p>I was struck by how much that sounds like something I might have said about libraries &#8212; only more compact and pointed &#8212; but it&#8217;s actually <a href="http://www.amazon.com/gp/product/1413414427/?tag=maisonbisson-20/">my father</a> describing his position on an argument at the <a href="http://www.thewha.org/">World History Association</a> <a href="http://conference.thewha.org/index.php">annual conference</a> a couple weeks ago.</p>
<p>Later, I&#8217;ll probably use his words to shape my <a href="http://maisonbisson.com/blog/post/10914/">long standing theme</a> regarding <a href="http://maisonbisson.com/blog/post/11213/">the language we use</a>. Every field of endeavor field employs specific, perhaps opaque, terms; our challenge is to <a href="http://maisonbisson.com/blog/post/11351/">make knowledge accessible to interested outsiders</a>, not exclusive.</p>
<p>In this case, however, the argument was about how we define periods of history in differing geographic contexts.</p>
<blockquote><p>&#8230;we should give in to popular demand and accept the term “medieval” as a global historical period, not just a European period.</p></blockquote>
<p>If we think about it, we can come up with a dozen reasons why this argument is wrong, but another moment of thought reveals that there&#8217;s really not much alternative. And, for an group that <a href="http://www.thewha.org/aboutthewha.html?option=displaypage&#038;Itemid=63&#038;op=page&#038;SubMenu=63">identifies itself</a> as “the foremost organization for the promotion of world history,” would they not be failing in that promotional mission if they isolated themselves by demanding a unique vocabulary?</p>
<p><tags>exclusion, history, inclusion, language, medieval, pedantic, pedantic purism, purism, Wilfred Bisson, Wilfred J. Bisson, world history</tags></p>
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		<item>
		<title>Everybody&#8217;s Mexican With A Quart Of Tequila In &#8216;Em</title>
		<link>http://maisonbisson.com/blog/post/11209/everybodys-mexican-with-a-quart-of-tequila-in-em/</link>
		<comments>http://maisonbisson.com/blog/post/11209/everybodys-mexican-with-a-quart-of-tequila-in-em/#comments</comments>
		<pubDate>Fri, 05 May 2006 04:01:01 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Kitchen]]></category>
		<category><![CDATA[Style, Fashion and Food]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[agave]]></category>
		<category><![CDATA[blue agave]]></category>
		<category><![CDATA[celebration]]></category>
		<category><![CDATA[cinco de mayo]]></category>
		<category><![CDATA[drink]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[holiday]]></category>
		<category><![CDATA[mexican victory]]></category>
		<category><![CDATA[mexico]]></category>
		<category><![CDATA[mezcal]]></category>
		<category><![CDATA[tequila]]></category>
		<category><![CDATA[toast]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11209/</guid>
		<description><![CDATA[

Ian Chadwick&#8217;s In Search of the Blue Agave begins:
“Tequila is Mexico,” said Carmelita Roman, widow of the late tequila producer Jesus Lopez Roman in an interview after her husband&#8217;s murder. “It&#8217;s the only product that identifies us as a culture.”
No other drink is surrounded by as many stories, myths, legends and lore as tequila and [...]]]></description>
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<p><a href="http://www.amazon.com/gp/product/0789208377/?tag=maisonbisson-20"><img src="http://images.amazon.com/images/P/0789208377.01.LZZZZZZZ.jpg" width="415" height="500" alt="Book: Tequila: the spirit of Mexico" /></a></p>
<p>Ian Chadwick&#8217;s <a href="http://www.ianchadwick.com/tequila/">In Search of the Blue Agave</a> begins:</p>
<blockquote><p>“Tequila is Mexico,” said Carmelita Roman, widow of the late tequila producer Jesus Lopez Roman in an interview after her husband&#8217;s murder. “It&#8217;s the only product that identifies us as a culture.”</p>
<p>No other drink is surrounded by as many stories, myths, legends and lore as tequila and its companion, mezcal. They transcend simple definition by reaching into the heart of Mexico, past and present. The turbulent history of Mexico is paralleled in the stories of tequila and mezcal. One cannot fully appreciate Mexico without some understanding of tequila&#8217;s place in its history and culture.</p></blockquote>
<p>So as we celebrate <a href="http://en.wikipedia.org/wiki/Cinco_de_Mayo" title="Cinco de Mayo - Wikipedia, the free encyclopedia">Cinco de Mayo</a>, that victory of Mexican forces over French invaders, raise a glass of tequila in <a href="http://en.wikipedia.org/wiki/Ignacio_Zaragoza">General Ignacio Zaragoza</a>&#8217;s honor.</p>
<p>(More of <a href="http://www.calderwoodphotos.com/books.html">Michael Calderwood</a>&#8217;s delicious photos are online.)</p>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Twenty Years And A Day</title>
		<link>http://maisonbisson.com/blog/post/11284/twenty-years-and-a-day/</link>
		<comments>http://maisonbisson.com/blog/post/11284/twenty-years-and-a-day/#comments</comments>
		<pubDate>Fri, 28 Apr 2006 03:49:34 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Politics & Controversy]]></category>
		<category><![CDATA[1986]]></category>
		<category><![CDATA[20 years]]></category>
		<category><![CDATA[26 April]]></category>
		<category><![CDATA[26 April 1986]]></category>
		<category><![CDATA[abandoned]]></category>
		<category><![CDATA[abandoned city]]></category>
		<category><![CDATA[april]]></category>
		<category><![CDATA[catastrophe]]></category>
		<category><![CDATA[chernobyl]]></category>
		<category><![CDATA[chernobyl nuclear explosion]]></category>
		<category><![CDATA[chernobyl nuclear power plant]]></category>
		<category><![CDATA[chernobyl tour]]></category>
		<category><![CDATA[chernobyl-4]]></category>
		<category><![CDATA[chnpp]]></category>
		<category><![CDATA[chornobyl]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[ghost town]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[nuclear catastrophe]]></category>
		<category><![CDATA[nuclear disaster]]></category>
		<category><![CDATA[nuclear explosion]]></category>
		<category><![CDATA[nuclear power]]></category>
		<category><![CDATA[nuclear power plant]]></category>
		<category><![CDATA[nuclear reactor]]></category>
		<category><![CDATA[photos]]></category>
		<category><![CDATA[pictures]]></category>
		<category><![CDATA[pripjat]]></category>
		<category><![CDATA[pripyat]]></category>
		<category><![CDATA[radiation]]></category>
		<category><![CDATA[reactor fire]]></category>
		<category><![CDATA[russia]]></category>
		<category><![CDATA[soviet]]></category>
		<category><![CDATA[soviet union]]></category>
		<category><![CDATA[tchernobyl]]></category>
		<category><![CDATA[ukrain]]></category>
		<category><![CDATA[ussr]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11284/</guid>
		<description><![CDATA[

Mark Nelson&#8217;s Pripyat series on flickr is full of the pictures of desolation that people seem to be looking for as we solemnly honor the twentieth anniversary of the Chernobyl disaster.
Google added high-resolution satellite photos of the area yesterday, and Pripyat.com offers both stories and photo galleries to help us remember.
It is there that I [...]]]></description>
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<p><a href="http://www.flickr.com/photos/marknelson/130200680/" title="Abandoned Carnival Rides in Pripyat, near Chernobyl."><img src="http://static.flickr.com/51/130200680_02b7e69b4e.jpg" width="500" height="375" alt="Abandoned Carnival Rides in Pripyat, near Chernobyl." /></a></p>
<p>Mark Nelson&#8217;s <a href="http://www.flickr.com/photos/marknelson/130200680/" title="pripyat abandoned fun fair on Flickr - Photo Sharing!">Pripyat series on flickr</a> is full of the pictures of desolation that people seem to be looking for as we solemnly honor the <a href="http://maisonbisson.com/blog/post/11277/">twentieth anniversary of the Chernobyl disaster</a>.</p>
<p>Google added high-resolution <a href="http://maisonbisson.com/blog/post/11281/">satellite photos of the area</a> yesterday, and <a href="http://www.pripyat.com/en/">Pripyat.com</a> offers both stories and photo galleries to help us remember.</p>
<p>It is there that I learned that <a href="http://chernobyl.in.ua/en/ghost_town/42">Rimma Kiselica</a>, the woman who has guided so many of <a href="http://maisonbisson.com/blog/post/10300/">those who&#8217;ve reported from the dead-zone</a>, <a href="http://www.pripyat.com/en/news/2006/03/19/653.html">died on March 19</a>.</p>
<p>Meanwhile, it turns out that <a href="http://islandmonkeyworld.blogspot.com/2006/04/pripjat-streetart.html" title="ISLAND MONKEY: Pripjat - Streetart">people have started to graffiti the town</a>. Mary Mycio, who wrote <a href="http://www.amazon.com/exec/obidos/ASIN/0309094305/maisonbisson-20/" title="Wormwood Forest: A Natural History of Chernobyl">Wormwood Forest: A Natural History of Chernobyl</a>, takes <a href="http://chernobyl.in.ua/en/ghost_town_graffiti/14">great offense</a> at such things:</p>
<blockquote><p>For someone like me, who considers Pripyat a monument &#8212; with universal lessons about folly, tragedy and our complex relationship with our planet &#8212; this approaches desecration.</p></blockquote>
<p>While I respect Pripyat as a monument, Mark&#8217;s picture above does make me wonder. In a <a href="http://en.wikipedia.org/wiki/Planned_economy">command economy</a>, who orders somebody to make bumper cars or other carnival rides? How did the <a href="http://en.wikipedia.org/wiki/Soviet_Union#Economy">Soviet system</a> work for such things?</p>
<p><tags>1986, 20 years, 26 april, 26 april 1986, abandoned city, april, catastrophe, chernobyl, chernobyl nuclear explosion, chernobyl nuclear power plant, chernobyl tour, chernobyl-4, chnpp, chornobyl, disaster, ghost town, history, nuclear catastrophe, nuclear disaster, nuclear explosion, nuclear power, nuclear power plant, nuclear reactor, photos, pictures, pripjat, pripyat, radiation, reactor fire, russia, soviet, soviet union, tchernobyl, ukrain, ussr</tags></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Chernobyl and Pripyat Satellite Photos</title>
		<link>http://maisonbisson.com/blog/post/11281/chernobyl-and-pripyat-satellite-photos/</link>
		<comments>http://maisonbisson.com/blog/post/11281/chernobyl-and-pripyat-satellite-photos/#comments</comments>
		<pubDate>Thu, 27 Apr 2006 03:25:07 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Photoblog]]></category>
		<category><![CDATA[Politics & Controversy]]></category>
		<category><![CDATA[abandoned city]]></category>
		<category><![CDATA[catastrophe]]></category>
		<category><![CDATA[chernobyl]]></category>
		<category><![CDATA[chernobyl nuclear power plant]]></category>
		<category><![CDATA[chnpp]]></category>
		<category><![CDATA[chornobyl]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[ghost town]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[nuclear power plant]]></category>
		<category><![CDATA[nuclear reactor]]></category>
		<category><![CDATA[photos]]></category>
		<category><![CDATA[pictures]]></category>
		<category><![CDATA[pripjat]]></category>
		<category><![CDATA[pripyat]]></category>
		<category><![CDATA[satellite photos]]></category>
		<category><![CDATA[tchernobyl]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11281/</guid>
		<description><![CDATA[

Today, on the twentieth anniversary of the disaster, Google has added high-resolution satellite photos of the Chernobyl Nuclear Power Plant and the abandoned town of Pripyat.
Above is the plant; the damaged reactor is on the left. In Pripyat, the ghostly ferris wheel was easy to find, but where&#8217;s the vehicle graveyard? Update: here it is. [...]]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-11281"><!-- &nbsp; --></abbr>
<p><a href="http://www.flickr.com/photos/maisonbisson/135702948/" title="Chernobyl NPP"><img src="http://static.flickr.com/48/135702948_21ec392de1.jpg" width="500" height="340" alt="Chernobyl NPP" /></a></p>
<p>Today, on the <a href="http://maisonbisson.com/blog/post/11277/">twentieth anniversary</a> of <a href="http://maisonbisson.com/blog/post/11211/">the disaster</a>, Google has added <a href="http://maps.google.com/maps?f=q&#038;hl=en&#038;q=51.389619N,+30.098999E&#038;t=h&#038;om=1&#038;ll=51.389619,30.098999&#038;spn=0.007873,0.030556" title="Google Maps - 51.389619N, 30.098999E">high-resolution satellite photos</a> of the Chernobyl Nuclear Power Plant and the abandoned town of <a href="http://maps.google.com/maps?f=q&#038;hl=en&#038;q=51.404902N,+30.049775E&#038;t=k&#038;om=0&#038;ll=51.404902,30.049775&#038;spn=0.003935,0.015278">Pripyat</a>.</p>
<p>Above is the plant; the <a href="http://www.spaceman.ca/gallery/chernobyl/Helicopt03_05_86_1">damaged reactor</a> is on the left. In Pripyat, the <a href="http://www.janikarvonen.com/digicam/10-12.6.2005_Ukraine/142_Pripyat_amusement_park_ferris_wheel_01.jpg">ghostly ferris wheel</a> was <a href="http://maps.google.com/maps?f=q&#038;hl=en&#038;q=51.408603N,+30.055547E&#038;t=k&#038;om=0&#038;ll=51.408603,30.055547&#038;spn=0.003935,0.015278">easy to find</a>, but where&#8217;s the <a href="http://www.janikarvonen.com/digicam/10-12.6.2005_Ukraine/030_Chernobyl_vehicle_graveyard_panorama.jpg">vehicle graveyard</a>? <strong>Update:</strong> <a href="http://maps.google.com/maps?f=q&#038;hl=en&#038;geocode=&#038;q=51.154397,+29.983299&#038;ie=UTF8&#038;ll=51.154397,29.983299&#038;spn=0.001908,0.004984&#038;t=h&#038;z=18&#038;iwloc=addr&#038;om=0">here it is</a>. Hat tip to &#8220;di&#8221; and &#8220;pero69&#8243; for their comments.</p>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Twenty Years Ago Today</title>
		<link>http://maisonbisson.com/blog/post/11277/twenty-years-ago-today/</link>
		<comments>http://maisonbisson.com/blog/post/11277/twenty-years-ago-today/#comments</comments>
		<pubDate>Wed, 26 Apr 2006 04:00:00 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Politics & Controversy]]></category>
		<category><![CDATA[1986]]></category>
		<category><![CDATA[20 years]]></category>
		<category><![CDATA[26 April]]></category>
		<category><![CDATA[26 April 1986]]></category>
		<category><![CDATA[abandoned city]]></category>
		<category><![CDATA[april]]></category>
		<category><![CDATA[catastrophe]]></category>
		<category><![CDATA[chernobyl]]></category>
		<category><![CDATA[chernobyl nuclear explosion]]></category>
		<category><![CDATA[chernobyl tour]]></category>
		<category><![CDATA[chernobyl-4]]></category>
		<category><![CDATA[chnpp]]></category>
		<category><![CDATA[chornobyl]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[ghost town]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[nuclear catastrophe]]></category>
		<category><![CDATA[nuclear disaster]]></category>
		<category><![CDATA[nuclear explosion]]></category>
		<category><![CDATA[nuclear power]]></category>
		<category><![CDATA[nuclear power plant]]></category>
		<category><![CDATA[nuclear reactor]]></category>
		<category><![CDATA[pripjat]]></category>
		<category><![CDATA[pripyat]]></category>
		<category><![CDATA[pripyat river]]></category>
		<category><![CDATA[radiation]]></category>
		<category><![CDATA[reactor fire]]></category>
		<category><![CDATA[russia]]></category>
		<category><![CDATA[soviet]]></category>
		<category><![CDATA[soviet union]]></category>
		<category><![CDATA[tchernobyl]]></category>
		<category><![CDATA[ukrain]]></category>
		<category><![CDATA[ussr]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11277/</guid>
		<description><![CDATA[

Twenty years ago today at 1:23:44, the Chernobyl NPP reactor number four exploded. Five thousand tons of lead, sand, and other materials were dropped on the resulting fire in an attempt to stop the spread of the radioactive cloud. The world learned of the accident when Western European nuclear facilities identified radiation anomalies and traced [...]]]></description>
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<p><img src="http://glen.utdallas.edu/chernobyl.jpg" width="535" height="574.5" alt="Chernobyl-4 after the explosion." /></p>
<p><a href="http://maisonbisson.com/blog/post/11211/">Twenty years ago today</a> at <a href="http://www.chernobyl.info/index.php?userhash=1173291&#038;navID=4&#038;lID=2">1:23:44</a>, the <a href="http://www.neutron.kth.se/gallery/chernobyl/">Chernobyl NPP</a> <a href="http://www.spaceman.ca/gallery/chernobyl/Helicopt03_05_86_1">reactor number four exploded</a>. Five thousand tons of <a href="http://www.helpmearoundtheworld.com/elenafilatova/video3.mpeg">lead, sand, and other materials were dropped</a> on the resulting fire in an attempt to stop the spread of the radioactive cloud. The world learned of the accident when Western European nuclear facilities identified radiation anomalies and traced them to the Chernobyl plant, forcing the USSR to make its <a href="http://www.helpmearoundtheworld.com/elenafilatova/video5.mpeg">first public announcement</a> on the matter.</p>
<p>By November, the ruined reactor was <a href="http://www.cs.ntu.edu.au/homepages/jmitroy/sid101/chernobyl/history.html" title="The causes of the accident and its progress.">entombed in a sarcophagus</a>, and the <a href="http://www.helpmearoundtheworld.com/elenafilatova/video4.mpeg">irradiated equipment abandoned nearby</a>, but the human scale of the disaster remains enormous <a href="http://www.theage.com.au/news/world/watchdog-accused-of-covering-up-chernobyl-death-toll/2006/04/19/1145344155553.html">to this day</a>.</p>
<p>Despite this, a thread of <a href="http://traumwerk.stanford.edu:3455/71/53">fascination with the abandoned cities</a>, especially near-by Pripyat, pervades much of the <a href="http://maisonbisson.com/blog/post/10300/">peer-produced work related to Chernobyl</a> (<a href="http://home.cc.umanitoba.ca/~dmcmill/Photographs.html">David McMillan&#8217;s photos</a> are an outstanding example). Day tours of the area are available from <a href="http://www.ukrcam.com/tour/tour_3.html" title="Chernobyl tour from SAM travel company Ukraine">SAM Travel Company Ukraine</a> (and maybe <a href="http://www.ukrainianweb.com/chernobyl_ukraine.htm" title="Chernobyl, Ukraine: A Tour to the Site of the Nuclear Disaster/Accident. Chernobyl (Chornobyl) picture.">here too</a>, but where are the booking details?).</p>
<p>Because of the need for power, the remaining reactors of Chernobyl NPP were kept in operation until 2000, and and even now <a href="http://www.world-nuclear.org/info/inf31.htm">there are 12</a> <a href="http://en.wikipedia.org/wiki/RBMK">RBMK reactors</a> like those at Chernobyl in operation in Russia and Lithuania. Safety (and training, I hope) is <a href="http://en.wikipedia.org/wiki/RBMK#Improvements_since_the_Chernobyl_accident">said to have improved</a>. Westron, <a href="http://www.westron.kharkov.ua/medeng_5-1999.html" title="Westron in mass-media: October 7, 1999">a joint venture</a> between <a href="http://www.westinghouse.com/home.html">Westinghouse</a> and <a href="http://www.ukrainebiz.com/companiesUKR/hartron.htm#address">Hartron</a>, is bringing Western-style safety systems to Eastern European power plants, even though they often <a href="http://www.westron.kharkov.ua/medeng_3-1996.html" title="Westron in mass-media: October, 1996">get paid in IOUs</a>. (Sadly, “<a href="http://maisonbisson.com/blog/post/10148/">Western-style safety</a>” may not mean what it used to. <a href="http://maisonbisson.com/blog/post/10921/">Practice here</a>.)</p>
<p>Search MaisonBisson for more <a href="http://maisonbisson.com/blog/search/nuclear">nuclear related stories</a>.</p>
<p><tags>1986, 20 years, 26 april, 26 april 1986, abandoned city, april, catastrophe, chernobyl, chernobyl nuclear explosion, chernobyl tour, chernobyl-4, chnpp, chornobyl, disaster, ghost town, history, nuclear catastrophe, nuclear disaster, nuclear explosion, nuclear power, nuclear power plant, nuclear reactor, pripjat, pripyat, pripyat river, radiation, reactor fire, russia, soviet, soviet union, tchernobyl, ukrain, ussr</tags></p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		</item>
		<item>
		<title>Twenty Years After Chernobyl</title>
		<link>http://maisonbisson.com/blog/post/11211/chernobyl-disaster-20-years-later/</link>
		<comments>http://maisonbisson.com/blog/post/11211/chernobyl-disaster-20-years-later/#comments</comments>
		<pubDate>Mon, 27 Mar 2006 03:24:31 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Politics & Controversy]]></category>
		<category><![CDATA[1986]]></category>
		<category><![CDATA[20 years]]></category>
		<category><![CDATA[26 April]]></category>
		<category><![CDATA[26 April 1986]]></category>
		<category><![CDATA[abandoned]]></category>
		<category><![CDATA[abandoned city]]></category>
		<category><![CDATA[april]]></category>
		<category><![CDATA[catastrophe]]></category>
		<category><![CDATA[chernobyl]]></category>
		<category><![CDATA[chernobyl nuclear explosion]]></category>
		<category><![CDATA[chernobyl tour]]></category>
		<category><![CDATA[chernobyl-4]]></category>
		<category><![CDATA[chnpp]]></category>
		<category><![CDATA[chornobyl]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[ghost town]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[nuclear catastrophe]]></category>
		<category><![CDATA[nuclear disaster]]></category>
		<category><![CDATA[nuclear explosion]]></category>
		<category><![CDATA[nuclear power]]></category>
		<category><![CDATA[nuclear power plant]]></category>
		<category><![CDATA[nuclear reactor]]></category>
		<category><![CDATA[pripjat]]></category>
		<category><![CDATA[pripyat]]></category>
		<category><![CDATA[pripyat river]]></category>
		<category><![CDATA[radiation]]></category>
		<category><![CDATA[reactor fire]]></category>
		<category><![CDATA[russia]]></category>
		<category><![CDATA[soviet]]></category>
		<category><![CDATA[soviet union]]></category>
		<category><![CDATA[tchernobyl]]></category>
		<category><![CDATA[ukrain]]></category>
		<category><![CDATA[ussr]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/post/11211/</guid>
		<description><![CDATA[Nearly 20 years after the initial events of the Chernobyl nuclear disaster of April 26 1986, the story is still unfolding. This month's <a href="http://ngm.com/0604/">National Geographic Magazine</a> tells of the “<a href="http://www7.nationalgeographic.com/ngm/0604/feature1/index.html">long shadow of Chernobyl</a>” -- grown children of the disaster now fear having their own children while <a href="http://www7.nationalgeographic.com/ngm/0604/feature1/gallery2.html">some elderly residents return to their old homes</a> inside the 1,000 square mile, still contaminated “<a href="http://www7.nationalgeographic.com/ngm/0604/feature1/map.html">exclusion zone</a>.” The print article seemed to offer hope, noting that even the pines of the “red forest” -- so called because they received so much radiation that it bleached the chlorophyl from them, and some say the trees actually glowed -- are beginning to grow back now. But the <a href="http://www7.nationalgeographic.com/ngm/0604/sights_n_sounds/index.html">multimedia companion materials</a> tell a somewhat more morose tale.]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="maisonbisson-11211"><!-- &nbsp; --></abbr>
<p><a href="http://www.flickr.com/photos/maisonbisson/115444009/"><img src="http://static.flickr.com/34/115444009_0f7e30db97.jpg?v=0" width="500" height="325" style="border: solid 0px #000000; margin: 0px 0px 0px 0px; padding: 0px;" alt="Greenpeace Photo: a deserted secondary school near Chernobyl, Illinsty, Ukraine." /></a></p>
<p>Nearly 20 years after the initial events of the Chernobyl nuclear disaster of April 26 1986, the story is still unfolding. This month&#8217;s <a href="http://ngm.com/0604/">National Geographic Magazine</a> tells of the “<a href="http://www7.nationalgeographic.com/ngm/0604/feature1/index.html">long shadow of Chernobyl</a>” &#8212; grown children of the disaster now fear having their own children while <a href="http://www7.nationalgeographic.com/ngm/0604/feature1/gallery2.html">some elderly residents return to their old homes</a> inside the 1,000 square mile, still contaminated “<a href="http://www7.nationalgeographic.com/ngm/0604/feature1/map.html">exclusion zone</a>.” The print article seemed to offer hope, noting that even the pines of the “red forest” &#8212; so called because they received so much radiation that it bleached the chlorophyl from them, and some say the trees actually glowed &#8212; are beginning to grow back now. But the <a href="http://www7.nationalgeographic.com/ngm/0604/sights_n_sounds/index.html">multimedia companion materials</a> tell a somewhat more morose tale.</p>
<p>A note at <a href="http://www.ibiblio.org/expo/soviet.exhibit/chernobyl.html" title="Chernobyl'">ibiblio</a>, however, brings to mind how different our world was in 1986:</p>
<blockquote><p>Chernobyl has become a metaphor not only for the horror of uncontrolled nuclear power but also for the collapsing Soviet system and its reflexive secrecy and deception, disregard for the safety and welfare of workers and their families, and inability to deliver basic services such as health care and transportation, especially in crisis situations. The Chernobyl catastrophe derailed what had been an ambitious nuclear power program and formed a fledgling environmental movement into a potent political force in Russia as well as a rallying point for achieving Ukrainian and Belorussian independence in 1991.</p></blockquote>
<p>Time Magazine did a <a href="http://www.time.com/time/daily/chernobyl/" title="Chernobyl: Ten Years Later">ten year retrospective</a> and has an <a href="http://www.time.com/time/daily/chernobyl/chernobyl.index.html" title="CHERNOBYL: TIME Coverage">index to coverage</a>, but <a href="http://en.wikipedia.org/wiki/Chernobyl_accident">Wikipedia&#8217;s entry</a> is rich with detail and potential lessons.</p>
<p>One of the most interesting lessons may be that <a href="http://en.wikipedia.org/wiki/RBMK">the reactor</a> was not designed in ignorance of the instability that eventually caused the Chernobyl disaster, but as a reasoned and calculated approach to the problems of the time (makes me wonder <a href="http://www.amazon.com/gp/product/0679734163/ref=maisonbisson-20/">what Henry Petroski would say</a> about it). The reactor was designed to operate using light water and un-enriched natural uranium, a technical marvel so unique that the <a href="http://en.wikipedia.org/wiki/Heavy_water">wikipedia entry on heavy water</a> explains:</p>
<blockquote><p>Heavy water is used in certain types of <a href="http://en.wikipedia.org/wiki/Nuclear_reactors">nuclear reactors</a> where it acts as a <a href="http://en.wikipedia.org/wiki/Neutron_moderator">neutron moderator</a> to slow down neutrons so that they can react with the uranium in the reactor. <a href="http://en.wikipedia.org/wiki/Light_water">Light water</a> also acts as a moderator but because light water absorbs <a href="http://en.wikipedia.org/wiki/Neutrons">neutrons</a>, reactors using light water must use <a href="http://en.wikipedia.org/wiki/Enriched_uranium">enriched uranium</a> rather than natural uranium, otherwise <a href="http://en.wikipedia.org/wiki/Critical_mass_%28nuclear%29">criticality</a> is impossible. <strong>In effect to achieve criticality in a reactor, one must enrich either the moderator or the fuel.</strong></p></blockquote>
<p>Because uranium enrichment and heavy water production are both complex and costly, it&#8217;s easy to imagine the engineers proud of their accomplishment and accountants relieved. It&#8217;s the sort of scene that looks different in retrospect, but <a href="http://en.wikipedia.org/wiki/Ford_Pinto#Safety_problems">one that we&#8217;re quite familiar with</a>.</p>
<p>The biggest lesson may be that the best plans and procedures can never be substituted for well trained, knowledgeable people. In this case, the plant&#8217;s operators had no training on the peculiarities of the reactor design, and so had no way of knowing how non-standard operations during the planned test would change the operating characteristics, safety, and stability of the reactor.</p>
<p>It is a sad irony that the reactor actually became <a href="http://en.wikipedia.org/wiki/Chernobyl_accident#Causes">less-stable during low-power operations</a>, and sadder still that the operators had neither any knowledge of this, nor <a href="http://en.wikipedia.org/wiki/Chernobyl_accident#Events">any indication of it in the control room</a>.</p>
<p>And all of that was made worse by the fact that in the immediate aftermath of the explosion, operators had <a href="http://en.wikipedia.org/wiki/Chernobyl_accident#Immediate_crisis_management">no way of knowing that the reactor had been breached</a>, and they were all receiving deadly doses of radiation as high as 20,000 <a href="http://en.wikipedia.org/wiki/Roentgen">roentgen</a> per hour.</p>
<p><a href="http://www.spaceman.ca/gallery/chernobyl/Helicopt03_05_86_1" title="Spaceman Gallery :: Chernobyl :: 1">Kerry Cupit&#8217;s Chernobyl gallery</a> begins with a photo from that first day following the explosion at 1:23:47 that morning. While the plant operators were doubtful of any radiation risk, the firefighters and later “liquidators” were told nothing of it. The extreme levels of radiation <a href="http://en.wikipedia.org/wiki/Chernobyl_accident#Immediate_crisis_management">were described</a> by one firefighter as “tasting like metal.” He died soon after.</p>
<p>It wasn&#8217;t until the night following the explosion, with two people already dead and fifty-two hospitalized, that officials finally acknowledged the scale of the danger and ordered the the evacuation of <a href="http://www.multimap.com/map/browse.cgi?scale=500000&#038;lon=30.233333&#038;lat=51.266667&#038;mapsize=big">Pripyat</a> and the surrounding area.</p>
<p>The evacuation left a ghost town. And despite the disaster, this empty landscape has captured our imaginations. The <a href="http://maisonbisson.com/blog/post/10300/">fictitious story of Elena</a>, the “<a href="http://www.kiddofspeed.com/367img/image19.2.jpg">kidd of speed</a>” who toured the <a href="http://www.kiddofspeed.com/367img/image4.3.jpg">exclusion zone on motorcycle</a> became legend in 2004, thanks largely to the eerie and dramatic photos of abandoned Pripyat.</p>
<p>Architectural photographer <a href="http://www.theglobalist.com/DBWeb/StoryId.aspx?StoryId=4078" title="Zones of Exclusion: Pripyat and Chernobyl by Robert Polidori - The Globalist ">Robert Polidori visited in 2001</a>. The resulting book, <a href="http://www.amazon.com/gp/product/3882439211/ref=maisonbisson-20/" title="Amazon.com: Robert Polidori: Zones of Exclusion: Pripyat and Chernobyl: Books: Robert Polidori,Elizabeth Culbert">Zones of Exclusion: Pripyat and Chernobyl</a>, is a study of the haunting desolation and, perhaps, of the serene beauty of these modern ghost towns. <a href="http://8guest.online.com.ua/photo/kossin/chernobyl/">Jury Kosin&#8217;s Chernobyl album</a> reminds us of the people consumed by the disaster. The photo at the top, of the secondary school south of Chernobyl, comes from <a href="http://archive.greenpeace.org/comms/nukes/chernob/cherfoto.html" title="Ten Years After Chernobyl: Photo Archive">Greenpeace</a>.</p>
<p><tags>1986, 20 years, 26 April, 26 April 1986, abandoned city, april, catastrophe, chernobyl, chernobyl nuclear explosion, chernobyl tour, chernobyl-4, chornobyl, disaster, ghost town, history, nuclear catastrophe, nuclear disaster, nuclear explosion, nuclear power, nuclear power plant, nuclear reactor, pripyat, pripyat river, radiation, reactor fire, russia, soviet, soviet union, ukrain, ussr, tchernobyl, chnpp, pripjat</tags></p>
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		<title>Nevada Considers Atomic Testing License Plate, Again</title>
		<link>http://maisonbisson.com/blog/post/11067/nevada-considers-atomic-testing-license-plate-again/</link>
		<comments>http://maisonbisson.com/blog/post/11067/nevada-considers-atomic-testing-license-plate-again/#comments</comments>
		<pubDate>Thu, 29 Dec 2005 22:12:06 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Politics & Controversy]]></category>
		<category><![CDATA[atomic]]></category>
		<category><![CDATA[atomic testing]]></category>
		<category><![CDATA[atomic testing museum]]></category>
		<category><![CDATA[atomic tests]]></category>
		<category><![CDATA[heritage]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[license plate]]></category>
		<category><![CDATA[license plates]]></category>
		<category><![CDATA[museum]]></category>
		<category><![CDATA[nevada test site]]></category>
		<category><![CDATA[nuclear]]></category>
		<category><![CDATA[nuclear test site]]></category>
		<category><![CDATA[nuclear weapon]]></category>
		<category><![CDATA[nuclear weapons]]></category>
		<category><![CDATA[test site]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/?p=11067</guid>
		<description><![CDATA[

The first license plate to remember Nevada&#8217;s history as the host of the US&#8217;s nuclear testing grounds drew criticism for featuring a mushroom cloud (see the plate on the right, above). Now it appears folks are at it again, this time with a plate that depicts the site&#8217;s area and includes the classic illustration of [...]]]></description>
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<p><a href="http://www.flickr.com/photos/maisonbisson/79071893/"><img src="http://static.flickr.com/43/79071893_f294f73c76.jpg" alt="Atomic Testing License Plates."  width="500" height="375" style="border: solid 0px #000000; margin: 0px 0px 0px 0px; padding: 0px;" /></a></p>
<p>The first license plate to remember <a href="http://maps.google.com/maps?q=mercury,+nv&#038;ll=36.659055,-116.000519&#038;spn=1.163773,3.290268&#038;hl=en">Nevada&#8217;s</a> history as the host of the <a href="http://maisonbisson.com/blog/post/33/">US&#8217;s nuclear testing grounds</a> drew criticism for featuring a mushroom cloud (see the plate on the right, above). Now it appears folks are at it again, this time with a plate that depicts the site&#8217;s area and includes the classic illustration of an atom&#8217;s electron cloud.</p>
<p>All of this generated enough interest to bring the <a href="http://www.flickr.com/photos/maisonbisson/79078937/">local media</a> out to the <a href="http://www.flickr.com/photos/maisonbisson/79072446/">Atomic Testing Museum</a> to gawk at <a href="http://www.flickr.com/photos/maisonbisson/79071893/">the proposed plate</a>, including an <a href="http://www.flickr.com/photos/maisonbisson/79071747/">actual-sized rendition</a> being shown off on a Lincoln Navigator.</p>
<p><tags>license plate, license plates, atomic, atomic testing, atomic tests, nuclear, nuclear weapon, nuclear weapons, atomic testing museum, nevada test site, test site, museum, heritage, history, nuclear test site</tags></p>
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		<title>The Real King Kong</title>
		<link>http://maisonbisson.com/blog/post/11057/the-real-king-kong/</link>
		<comments>http://maisonbisson.com/blog/post/11057/the-real-king-kong/#comments</comments>
		<pubDate>Mon, 26 Dec 2005 13:21:06 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Books, Movies, Music]]></category>
		<category><![CDATA[animal welfare]]></category>
		<category><![CDATA[circus]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[king kong]]></category>
		<category><![CDATA[kong]]></category>
		<category><![CDATA[original]]></category>
		<category><![CDATA[real]]></category>
		<category><![CDATA[the original]]></category>
		<category><![CDATA[true story]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/?p=11057</guid>
		<description><![CDATA[

Here&#8217;s another story from my friend Joe Monninger. This time it&#8217;s a piece he cut from a book he&#8217;s working on, but I&#8217;m happy to take his tailings.

With the mega-release of King Kong swarming the country this week, it might be interesting to hear a true big ape story. I came across this story while [...]]]></description>
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<p><a href="http://www.flickr.com/photos/maisonbisson/73817663/"><img src="http://static.flickr.com/35/73817663_c18c1a6b83.jpg" width="500" height="375" style="border: solid 0px #000000; margin: 0px 0px 0px 0px; padding: 0px;" alt="King Kong." /></a></p>
<p>Here&#8217;s another story from my friend <a href="http://www.amazon.com/exec/obidos/search-handle-url/?url=index%3Dstripbooks%3Arelevance-above&amp;field-keywords=joseph+monninger&amp;ref=maisonbisson-20">Joe Monninger</a>. This time it&#8217;s a piece he cut from a book he&#8217;s working on, but I&#8217;m happy to take his tailings.</p>
<div style="border-top: dotted 1px #333333; padding: 8px 0px 8px 0px; margin: 8px 0px 8px 0px;">
<p>With the mega-release of <a href="http://www.amazon.com/exec/obidos/search-handle-url/index=theatrical&amp;field-keywords=king+kong&amp;search-type=ss&amp;bq=1&amp;store-name=theatrical/ref=maisonbisson-20/">King Kong</a> swarming the country this week, it might be interesting to hear a true big ape story. I came across this story while doing research for a project, and I pass it along as it came to me. It goes like this:</p>
<p>In the mid 1930&#8217;s a freighter left West Africa bound for the United States with a lowland gorilla on board. The captain, a friend of African missionaries, had received the baby gorilla as a gift and the animal had become the shipboard darling. The crew adopted the gorilla and babied it, preparing special food for its dinner and teaching it to perform the work of a seaman. The crew named the gorilla Buddy and vied for the animal&#8217;s attention. </p>
<p>The captain had no immediate plan for the gorilla except to enjoy its novelty, but he knew museums and zoos traveled around the world acquiring specimens. America in the 1930&#8217;s was particularly fascinated by great apes. King Kong, the gigantic ape who climbed the Empire State Building in the immensely popular movie of the same name, had bridged the simian gap between humans and apes first delineated by Edgar Rice Burroughs in Tarzan of the Apes in 1912. King Kong, released in 1933, embodied American themes reflective of the time: showman Carl Denham, destroyed by the Depression and looking for new attractions to exhibit, lures Jack Driscoll and Ann Darrow to accompany him on an expedition to Skull Island, where outsized animals fight primitive battles in a romantic jungle habitat. The natives steal Ann Darrow and carry her to a great fortress wall where she is left as a sacrifice to Kong. Kong falls in love with Darrow and, famously, carries her up the Empire State Building where he fights off a squadron of WWI aircraft before succumbing to exhaustion and the insect buzz of the bullets. He falls spectacularly, clutching Ann Darrow in his monkey paw, sparing her life even as he loses his own.  Beauty, of course, kills the beast, but so does the American concept of technology warring with animal nature.</p>
<p>In a somewhat parallel occurrence, a sailor on the African freighter, taking exception to the ship discipline and knowing how fond the captain was of the baby gorilla, threw acid, or emptied a fire extinguisher, into the animal&#8217;s face to revenge his perceived injustices. Then he skipped into a forgotten port. Buddy, nearly blinded, hid beneath rolled up canvases for the better part of a week, refusing food or comfort and attacking anyone who came near to soothe him. His shrieks drove the men crazy and sparked a debate about what should be done. Many of the crew suggested the captain euthanize the gorilla. Others wanted a better look at the great ape before they condemned it to death. </p>
<p>Fortunately the captain knew of a wealthy woman in New York who loved animals and often restored sick ones to health. Her name was Mrs. Gertrude Lintz, a forward thinking, and somewhat eccentric woman, who had won national attention by proposing to the scientific community that apes, specifically chimpanzees, needed proper mothering to survive and thrive. She dressed the chimps in human attire, taught them to eat at table, and allowed them to live as children might under similar circumstances. Her most famous protégé, Captain Jiggs, a highland chimpanzee of unusual intelligence and patience, became a well known national figure. Mrs. Lintz divided chimpanzees into three classes, depending on eye brightness, and anthropomorphized the animals to such a degree that she blurred the line between animal and human. She particularly enjoyed posing the animals in the car seat beside her, driving her roadster with an immaculately dressed chimp navigating from the passenger side.</p>
<p>Under Mrs. Lintz&#8217;s care, Buddy grew to astonishing proportions, topping out at six hundred pounds. Dr. Lintz, a plastic surgeon, repaired parts of Buddy&#8217;s face, but the ape&#8217;s mouth curled up in a pumpkin grin, too wide for symmetry with the other facial features. It lent the ape a terrifying expression, one not matched by his otherwise gentle nature. </p>
<p>In 1937, John Ringling, stationed in the New York Ritz, received a call from Mrs. Lintz asking if he would be interested in a full grown gorilla for his famous circus. Ringling, not sure if the call came from a kook, said he would be interested. Mrs. Lintz invited him to tea in Brooklyn. In Henry Ringling North&#8217;s <a href="http://www.amazon.com/gp/product/B0007FUDJQ/ref=maisonbisson-20/">1960 memoir</a>, John Ringling, also known, ironically as Buddy, met on the woman&#8217;s terms.</p>
<blockquote><p>We drove to Brooklyn, winding through dismal streets of rubber-plant-decorated homes, down into a tenement district, and up again to a once elegant, water-front street. We mounted the brownstone stoop of a mansion of faded grandeur straight out of Charles Addams&#8217; macabre cartoons. A small middle-aged lady let us in, and we sat down on rosewood and horsehair chairs to drink tea with her. We drank gallons of tea and talked….until we began to suspect we were the victims of an old lady&#8217;s fantasy.</p></blockquote>
<p>But it was no fantasy. Eventually Ringling asked to see the gorilla and Mrs. Lintz took them to an old horse shed in the backyard where she introduced them to Dick Kroner, the animal&#8217;s keeper. Then she waved to a wooden crate, not much different from an oversized coffin, according to Ringling, reinforced on all sides by heavy timbers. The front of the box had a slatted sliding door and Kroner raised it. </p>
<p>“From behind the bars glowered the most fearful face I have ever looked upon,” said Ringling. “A tremendous hairy head, great dripping fangs, and the horrible sinister leer of the acid-twisted mouth.”</p>
<p>Ringling bought the gorilla on the spot, paying ten thousand dollars for the animal and renamed him, at his wife&#8217;s suggestion, “Gargantua the Great” after the hero of a satire of Rabelais, a giant king of prodigious proportions. To transport him and keep Gargantua in proper condition, Ringling contracted with Lemeul Bulware, founder of the nascent Carrier Corporation, one of the nation&#8217;s first air conditioning companies, in Syracuse, New York, and finagled a deal to bring publicity for both the circus and Carrier. A “jungle-conditioned” cage, matched to the temperature of the Congo, won them both the advertiser&#8217;s award for 1938.</p>
<p>In subsequent years Ringling exhibited Gargantua to millions of viewers, and even arranged a marriage to a female gorilla named M&#8217;Toto, which means “Little One” in Swahilli. M&#8217;Toto belonged to another opulent woman named Mrs. Stephen Hoyt, and during tea one afternoon the gorilla snapped both the woman&#8217;s wrists. Shortly afterward she sold the gorilla to Ringling, but the marriage with Gargantua didn&#8217;t take. When the screen opened to connect the two cages, Gargantua pelted his fiancée with half eaten vegetables. The press fell over itself finding in the rejection a statement about marriage and sexual warfare.</p>
<p>That&#8217;s the story. Parts of the tale formed the background for the 1997 film, <a href="<br />
<blockquote">Buddy</a>, starring Rene Russo. The story first appeared in <a href="http://www.amazon.com/gp/product/B0007JAIJC/ref=maisonbisson-20/">Animals Are My Hobby</a>, by Gertrude Lintz, published by Robert McBride &#038; Co. New York 1942.</div>
<p><tags>king kong, kong, the original, original, real, true story, history, circus, animal welfare, </tags></p>
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		<title>Devil&#8217;s Horn</title>
		<link>http://maisonbisson.com/blog/post/10948/devils-horn/</link>
		<comments>http://maisonbisson.com/blog/post/10948/devils-horn/#comments</comments>
		<pubDate>Sun, 06 Nov 2005 17:20:16 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Books, Movies, Music]]></category>
		<category><![CDATA[Style, Fashion and Food]]></category>
		<category><![CDATA[adolph sax]]></category>
		<category><![CDATA[devil horn]]></category>
		<category><![CDATA[devil's horn]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[horn]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[king of cool]]></category>
		<category><![CDATA[ladies home journal]]></category>
		<category><![CDATA[micheal segel]]></category>
		<category><![CDATA[noisy novelty]]></category>
		<category><![CDATA[npr]]></category>
		<category><![CDATA[npr weekend edition sunday]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[saxophone]]></category>
		<category><![CDATA[weekend edition]]></category>

		<guid isPermaLink="false">http://maisonbisson.com/blog/?p=10948</guid>
		<description><![CDATA[

On NPR&#8217;s Weekend Edition today: an interview with Michael Segel, author of The Devil&#8217;s Horn, subtitled “The Story of the Saxophone, from Noisy Novelty to King of Cool.”
Adolph Sax&#8217;s instrument seems to have been controversial from the start. Other manufacturers tried to assassinate him, the Pope declared the church&#8217;s opposition to the instrument, Ladies Home [...]]]></description>
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<p><a href="http://www.flickr.com/photos/lomola/25291707/" title="devil duckey's 'supa lowery bros'."><img src="http://static.flickr.com/22/25291707_b3cb63d8e0.jpg" width="500" height="332" style="border: dotted 0px #000000; margin: 0px 0px 0px 0px; padding: 0px 0px 0px 0px;" /></a></p>
<p>On NPR&#8217;s <a href="http://www.npr.org/templates/rundowns/rundown.php?prgId=10">Weekend Edition</a> today: <a href="http://www.npr.org/templates/story/story.php?storyId=4991482">an interview</a> with Michael Segel, author of <a href="http://www.amazon.com/exec/obidos/ASIN/0374159386/maisonbisson-20/103-2756618-5941461" title="Amazon.com: The Devil's Horn : The Story of the Saxophone, from Noisy Novelty to King of Cool: Explore similar items">The Devil&#8217;s Horn</a>, subtitled “The Story of the Saxophone, from Noisy Novelty to King of Cool.”</p>
<p>Adolph Sax&#8217;s instrument seems to have been controversial from the start. Other manufacturers tried to assassinate him, the Pope declared the church&#8217;s opposition to the instrument, Ladies Home Journal explained that it “rendered listeners unable to distinguish right and wrong.”<br />
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<p style="text-align:right;font-size:10px;">tags: <a href="http://www.technorati.com/tag/adolph sax" rel="tag">adolph sax</a>, <a href="http://www.technorati.com/tag/devil horn" rel="tag">devil horn</a>, <a href="http://www.technorati.com/tag/devil's horn" rel="tag">devil&#8217;s horn</a>, <a href="http://www.technorati.com/tag/horn" rel="tag">horn</a>, <a href="http://www.technorati.com/tag/history" rel="tag">history</a>, <a href="http://www.technorati.com/tag/interview" rel="tag">interview</a>, <a href="http://www.technorati.com/tag/king of cool" rel="tag">king of cool</a>, <a href="http://www.technorati.com/tag/ladies home journal" rel="tag">ladies home journal</a>, <a href="http://www.technorati.com/tag/micheal segel" rel="tag">micheal segel</a>, <a href="http://www.technorati.com/tag/noisy novelty" rel="tag">noisy novelty</a>, <a href="http://www.technorati.com/tag/npr" rel="tag">npr</a>, <a href="http://www.technorati.com/tag/npr weekend edition sunday" rel="tag">npr weekend edition sunday</a>, <a href="http://www.technorati.com/tag/radio" rel="tag">radio</a>, <a href="http://www.technorati.com/tag/saxophone" rel="tag">saxophone</a>, <a href="http://www.technorati.com/tag/weekend edition" rel="tag">weekend edition</a></p>
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		<title>John Barlycorn Must Die</title>
		<link>http://maisonbisson.com/blog/post/10686/john-barlycorn-must-die/</link>
		<comments>http://maisonbisson.com/blog/post/10686/john-barlycorn-must-die/#comments</comments>
		<pubDate>Thu, 21 Jul 2005 16:36:07 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Blink]]></category>
		<category><![CDATA[Books, Movies, Music]]></category>
		<category><![CDATA[Travel]]></category>
		<category><![CDATA[alcohol]]></category>
		<category><![CDATA[arkansas]]></category>
		<category><![CDATA[arkansas history]]></category>
		<category><![CDATA[backwoodsman]]></category>
		<category><![CDATA[foxfire]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[john barleycorn]]></category>
		<category><![CDATA[moonshine]]></category>
		<category><![CDATA[moonshining]]></category>
		<category><![CDATA[prohibition]]></category>
		<category><![CDATA[sourmash]]></category>
		<category><![CDATA[whisky]]></category>

		<guid isPermaLink="false">http://www.maisonbisson.com/blog/?p=10686</guid>
		<description><![CDATA[
In a popular antebellum Arkansas story, a backwoodsman bought a 5-gallon barrel of whiskey, only to return a week later for another.
“Surely you haven&#8217;t drank that whiskey already?” inquired the astonished merchant.
“It ain&#8217;t so much,” replied the backwoodsman. “There are six of us, counting the kids, and we have no cow.”
It&#8217;s not quite as detailed [...]]]></description>
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<blockquote><p><a href="http://www.oldstatehouse.com/exhibits/changing/john-barleycorn/default.asp" title="Barlycorn Must Die."><img src="http://www.oldstatehouse.com/images/exhibits/Barleycorn/Interior/barleycorn_int_logo.gif" alt="Barlycorn Must Die." width="187" height="174" style="float: right; border: solid 2px #000000; margin: 4px 4px 4px 4px; padding: 0px 0px 0px 0px;" /></a>In a popular antebellum Arkansas story, a backwoodsman bought a 5-gallon barrel of whiskey, only to return a week later for another.</p>
<p>“Surely you haven&#8217;t drank that whiskey already?” inquired the astonished merchant.</p>
<p>“It ain&#8217;t so much,” replied the backwoodsman. “There are six of us, counting the kids, and we have no cow.”</p></blockquote>
<p>It&#8217;s not quite as detailed as some of the stories in the <a href="http://www.amazon.com/exec/obidos/ASIN/0385143087/maisonbisson-20/">Foxfire</a> books, but it&#8217;s a good treat.</p>
<p><!-- technorati tags start -->
<p style="text-align:right;font-size:10px;">tags: <a href="http://technorati.com/tag/alcohol" rel="tag">alcohol</a>, <a href="http://technorati.com/tag/arkansas" rel="tag">arkansas</a>, <a href="http://technorati.com/tag/arkansas history" rel="tag">arkansas history</a>, <a href="http://technorati.com/tag/backwoodsman" rel="tag">backwoodsman</a>, <a href="http://technorati.com/tag/foxfire" rel="tag">foxfire</a>, <a href="http://technorati.com/tag/history" rel="tag">history</a>, <a href="http://technorati.com/tag/john barleycorn" rel="tag">john barleycorn</a>, <a href="http://technorati.com/tag/moonshine" rel="tag">moonshine</a>, <a href="http://technorati.com/tag/moonshining" rel="tag">moonshining</a>, <a href="http://technorati.com/tag/prohibition" rel="tag">prohibition</a>, <a href="http://technorati.com/tag/sourmash" rel="tag">sourmash</a>, <a href="http://technorati.com/tag/whiskey" rel="tag">whiskey</a></p>
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		<title>Least Wanted</title>
		<link>http://maisonbisson.com/blog/post/10642/least-wanted/</link>
		<comments>http://maisonbisson.com/blog/post/10642/least-wanted/#comments</comments>
		<pubDate>Wed, 22 Jun 2005 09:49:24 +0000</pubDate>
		<dc:creator>Casey Bisson</dc:creator>
				<category><![CDATA[Questionable...funny. Pointless.]]></category>
		<category><![CDATA[1940s]]></category>
		<category><![CDATA[accused criminal]]></category>
		<category><![CDATA[arrest]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[criminology]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[law enforcement]]></category>
		<category><![CDATA[mug shot]]></category>
		<category><![CDATA[mug shots]]></category>
		<category><![CDATA[photos]]></category>
		<category><![CDATA[police]]></category>
		<category><![CDATA[police photo]]></category>
		<category><![CDATA[police photos]]></category>
		<category><![CDATA[recidivism]]></category>
		<category><![CDATA[recidivist]]></category>

		<guid isPermaLink="false">http://www.maisonbisson.com/blog/?p=10642</guid>
		<description><![CDATA[

I&#8217;m entirely captivated by Mark Michaelson&#8217;s collection of mug shots on Flickr. It&#8217;s titled “Least Wanted” and he notes with little fanfare that they&#8217;re “Nobody famous.”
Some of the photos contain little histories, like this set from the 40s and 50s that includes conviction details &#8212; “30 days W. H.” for “selling obscene literature.” Another image [...]]]></description>
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<p><a href="http://www.flickr.com/photos/photons/20546293/"><img src="http://photos15.flickr.com/20546293_22c661d109.jpg" alt="Obscene literature man." width="500" height="316" style="background-color: #ffffff; border: solid 2px #000000; margin: 4px 4px 4px 4px; padding: 0px 0px 0px 0px;" /></a></p>
<p>I&#8217;m entirely captivated by <a href="http://www.flickr.com/photos/leastwanted/">Mark Michaelson</a>&#8217;s collection of mug shots on <a href="http://www.flickr.com/">Flickr</a>. It&#8217;s titled “Least Wanted” and he notes with little fanfare that they&#8217;re “Nobody famous.”</p>
<p><a href="http://www.flickr.com/photos/leastwanted/20156199/"><img src="http://photos14.flickr.com/20156199_56eae0abd8_m.jpg" alt="Lipstick recidivist." width="120" height="240" style="float: left; background-color: #ffffff; border: solid 2px #000000; margin: 4px 4px 4px 4px; padding: 0px 0px 0px 0px;" /></a>Some of the photos contain little histories, like this <a href="http://www.flickr.com/photos/leastwanted/sets/479266/">set from the 40s and 50s</a> that includes conviction details &#8212; <a href="http://www.flickr.com/photos/leastwanted/20546293/">“30 days W. H.” for “selling obscene literature.”</a> <a href="http://www.flickr.com/photos/leastwanted/20156199/">Another image</a> shows rapid aging over a three year period starting in 1943. It&#8217;s part of a small <a href="http://www.flickr.com/photos/leastwanted/sets/471341/">collection of recidivist women of the 1940s</a>.</p>
<p>For most of Michaelson&#8217;s images, however, there&#8217;s little to describe who these people are or why their photos became a part of public record. Each is its own little mystery, and it&#8217;s hard not to want to look at <a href="http://www.flickr.com/photos/leastwanted/page42/">all 422</a>.</p>
<p>&nbsp;</p>
<p><!-- technorati tags start -->
<p style="text-align:right;font-size:10px;">tags: <a href="http://technorati.com/tag/1940s" rel="tag">1940s</a>, <a href="http://technorati.com/tag/accused criminal" rel="tag">accused criminal</a>, <a href="http://technorati.com/tag/arrest" rel="tag">arrest</a>, <a href="http://technorati.com/tag/crime" rel="tag">crime</a>, <a href="http://technorati.com/tag/criminology" rel="tag">criminology</a>, <a href="http://technorati.com/tag/history" rel="tag">history</a>, <a href="http://technorati.com/tag/law enforcement" rel="tag">law enforcement</a>, <a href="http://technorati.com/tag/mug shot" rel="tag">mug shot</a>, <a href="http://technorati.com/tag/mug shots" rel="tag">mug shots</a>, <a href="http://technorati.com/tag/photos" rel="tag">photos</a>, <a href="http://technorati.com/tag/police" rel="tag">police</a>, <a href="http://technorati.com/tag/police photo" rel="tag">police photo</a>, <a href="http://technorati.com/tag/police photos" rel="tag">police photos</a>, <a href="http://technorati.com/tag/recidivism" rel="tag">recidivism</a>, <a href="http://technorati.com/tag/recidivist" rel="tag">recidivist</a></p>
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